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| Sarah Bernhardt with Blanche Legereau in "Gismonda" presented at at the Théâtre de la Renaissance in 1894. |
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| Alfons Mucha's poster for the 1894 performance. |
Mme. Williams never just walked into our classroom. Rather, she would make a grand entrance as she burst through the door… a living whirlwind of beads, scarves, perfume, and unadulterated joie de vivre. "Bonjour mes petits chéris, vous allez bien ?" she would announce in a loud voice, (trained no doubt by Madame Bernhardt to carry to the last row in a large theater), and which our school principal, Mr. Maxwell, undoubtedly heard through the closed door of his office at the far end of the building. Then as she scooped us up out of our chairs, crushing us with embraces and kisses as she flourished her beads and scarves, she would lead us in singing...
Sur le Pont d'Avignon
On y danse, On y danse
Sur le Pont d'Avignon
On y danse tous en rond.
On an imaginary bridge the boys would deeply bow to the girls as we sang...
Les beaux messieurs font comme ça
Et puis encore comme ça.
And as they curtsied they girls would reciprocate with...
Les belles dames font comme ça
Et puis encore comme ça.
And so it would go for the next 45 minutes or so until just as dramatically as she had entered, Mme. Williams would take her leave and vanish down the hall to her next "class" at another school. She was a hard act to follow.
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| Le Pont d'Avignon The Bridge at Avignon |
Sur le Pont d'Avignon
Upon the Bridge at Avignon
Unfortunately when I moved on to more traditional foreign language classes none of the other teachers (bless their academic hearts) could even come close. In that new reality I did poorly. So poorly in fact, that my Seventh Grade French teacher advised me that since I obviously had no aptitude for foreign languages I should abandon her class and take auto mechanics instead while there was still time for me to learn something that I could use in life. I ignored her advice, preferring to remain in her class, among my friends, rather than risk an uncertain fate among the cigarette smoking, grease stained troglodytes who inhabited the auto mechanics building.
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| Quelle tristesse. |
In those days movies about ancient Rome were popular: Quo Vadis in 1951, The Robe in 1953, Ben Hur in 1959, Spartacus in 1960, and Cleopatra in 1963. So when I entered Oak Ridge High School in 1964 and discovered that the language of Julius Caesar was a choice I signed up for Latin 1 where I had better luck than with French, but only barely. I was now a "C" student rather than a "D" student. I will spare you the details. Suffice it to say that being constantly tormented by the bully who set behind me made it difficult to concentrate on mastering the complexities of Latin declensions. Eventually I would take care of the bully, but that is another story for another time entitled "Okinawan Karate". By then I had already switched to Spanish.




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